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What I actually saw, however, was nothing like that.
The early part of 2013 also marked the anticipated Hollywood debuts of Korean directors Park Chan-wook (Stoker) and Kim Jee-woon (The Last Stand). A) operatives headed by Jeong Jin-soo (Han Suk-kyu, Villian and Widow). Pyo barely escapes with his life, but manages to elude Jeong, obsessed with bagging him.
Praise is also due to the veteran Park Young-gyu (Attack the Gas Station), who plays the video salesman and appears as the presenter in the video segments themselves.
These short instructional clips, which run intermittently throughout the narrative, are deadpan, intentionally amateur in style, and hilarious.
Another problem is the strangely unconvincing characterization of Han Suk-kyu's Agent Jeong, compared to his Northern counterparts. DP Choi Young-hwan (The Thieves), reunited with Ryoo after a decade following their collaboration in No Blood No Tears (2002), and Lighting Director Kim Seong-gwan portray Berlin, through impressively extensive location shooting, as a city pregnant with old secrets, bustling with busy population yet pocketed with dark corners and wood-paneled back rooms.
The hand-to-hand combat choreography, designed by Ryoo's longtime collaborator Jeong Doo-hong and Seoul Action School, actually works better when it is essentially two people smashing each other with various kitchen implements and office tools in a narrow apartment corridor.