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The character of peace-loving Billy Jack sought to protect the mistreatment of the students in a Freedom School, by combating rednecks, law enforcement and "the man.".This Mike Nichols film with striking adult subject matter (regarding the fragile male ego and bravado, dysfunctionality, and misogyny), sexual encounters, and profanity further pushed the boundaries of sex in cinema although the film had little in the way of explicit sex.
The story continued with playboyish Jonathan's later difficult relationship to voluptuous, big-breasted TV model Bobbie (Oscar-nominated Ann-Margret) who he first felt was his sexual salvation and soon became his live-in mistress: ("I took one look at the tits on her, and I knew I'd never have trouble again"). Finding himself dysfunctionally impotent, Jonathan resorted to using the services of paid prostitute Louise (Rita Moreno in a cameo) to massage his ego (and more) in the film's final scene.
It followed their difficult initiation into sex ("scoring" with coeds) during their 1940s student days at Amherst (with among others, Candice Bergen as the pretty and intelligent Smith College student Susan whom they both dated).
Sandy awkwardly tried to feel Susan's breasts through her clothes during a date, details of which he later shared with Jonathan.
The hotbed atmosphere of sexual repression, empowered females and vengeful jealousy led Edwina to violently attack him - and later led to further retaliation - a gruesome leg amputation with a hacksaw (and brandy as an anesthetic) and lethal poisoning.
The vogue in the early 70s were low-budget sexploitative women-in-prison (WIP) films, such as this early and influential one by director Jack Hill, with the requisite nudity, violence, feministic attitude and lesbianism, and social grittiness.
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Karen enticed Fred (Jerry Franks), an American mercenary who sold goods to the prison (and brought in contraband), to watch her (through a frosted glass window) in a shower and touch herself.